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| Issue |
Title |
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| Vol 53 (2024) |
«Desert Religion». Islam in Japan From the 19th Century to the Present Day |
Abstract
PDF (Rus)
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L. Sh. Kulieva |
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| Vol 53 (2024) |
The Image of the USA in the Works by Fukuzawa Yukichi |
Abstract
PDF (Rus)
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A. B. Sharova |
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| Vol 53 (2024) |
Alfred von Vacano and His Collection |
Abstract
PDF (Rus)
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O. V. Torbin |
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| Vol 53 (2024) |
They Were the First: Remembering the Creators of Post-War Japanese Fashion |
Abstract
PDF (Rus)
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|
E. L. Katasonova |
| |
| Vol 53 (2024) |
Syncretism in New Religious Movements of Japan: The Case of Oomotokyo |
Abstract
PDF (Rus)
|
|
A. G. Shechter |
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| Vol 53 (2024) |
The Symbolism of Fish and Fishing in Japanese Culture. Whales, Dolphins, and Fantastic Sea Creatures in Legends and Ideas |
Abstract
PDF (Rus)
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|
E. M. Dyakonova |
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| Vol 53 (2024) |
The Country of Japan in Dainihonkoku Hokkekyō Genki |
Abstract
PDF (Rus)
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|
N. N. Trubnikova |
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| Vol 53 (2024) |
Journey to See Fuji (1567) by Satomura Jōha: About the Author, Circumstances of Creation, and Main Features of the Diary |
Abstract
PDF (Rus)
|
|
A. A. Dudko |
| |
| Vol 52 (2023) |
The Court Tradition of Japan in Konjaku Monogatarishū |
Abstract
PDF (Rus)
|
|
N. N. Trubnikova, M. S. Kolyada |
| |
| Vol 52 (2023) |
The Image of Russia in the Works by Fukuzawa Yukichi and his Contemporaries |
Abstract
PDF (Rus)
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A. B. Sharova |
| |
| Vol 52 (2023) |
Hamaguchi Ryūsuke’s Wheel of Fortune and Japanese Cinema |
Abstract
PDF (Rus)
|
|
E. L. Katasonova |
| |
| Vol 52 (2023) |
Gekkōsō and Nakamura Yōko. Coin Shine Under the Moon: About the Gallery’s Activities and the Market for Soviet Art in Japan |
Abstract
PDF (Rus)
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V. V. Belozerov |
| |
| Vol 52 (2023) |
The Role of Mass Consciousness in the Formation of the Japanese Adherence to National Traditions |
Abstract
PDF (Rus)
|
|
M. P. Gerasimova |
| |
| Vol 51 (2022) |
Japanese Buddhist Canon Depicting Heavenly Sovereigns |
Abstract
PDF (Rus)
|
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Yu. L. Kuzhel, T. I. Breslavets |
| |
| Vol 51 (2022) |
Suki and Kokorozashi in Hosshinshū |
Abstract
PDF (Rus)
|
|
N. N. Trubnikova |
| |
| Vol 51 (2022) |
“Neurasthenia” (Shinkei Suijaku) and Writer Tanizaki Jun’ichirō |
Abstract
PDF (Rus)
|
|
M. G. Selimov |
| |
| Vol 51 (2022) |
Zen Buddhist Influence on Makuya Teaching, or “Tabernacle of Christ” |
Abstract
PDF (Rus)
|
|
M. V. Babkova |
| |
| Vol 51 (2022) |
The Influence of Robert A. Bloch’s Micro Fiction on Short-Short Fantasy and Psychological Horror by Contemporary Japanese Writers: An Attempt of Comparative Analysis |
Abstract
PDF (Eng)
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|
L. Yu. Khronopulo |
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| Vol 51 (2022) |
Oscar — 2022: Hamaguchi Ryūsuke |
Abstract
PDF (Rus)
|
|
E. L. Katasonova |
| |
| Vol 51 (2022) |
Destruction of the Ainu Language |
Abstract
PDF (Rus)
|
|
V. M. Alpatov |
| |
| Vol 50 (2021) |
Woman and Power in Gukanshō: Japanese Female Sovereigns |
Abstract
PDF (Rus)
|
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V. A. Fedianina |
| |
| Vol 50 (2021) |
Women’s Duel: Dazai Osamu’s Literary Experiments |
Abstract
PDF (Rus)
|
|
E. S. Shorokhova |
| |
| Vol 50 (2021) |
The Path of Japanese Setsuwa Prose in Soviet and Russian Japanese Studies |
Abstract
PDF (Rus)
|
|
D. G. Kiknadze |
| |
| Vol 50 (2021) |
The Semiotic Concept of Natsume Fusanosuke in the Study of Manga Expressions |
Abstract
PDF (Rus)
|
|
Yu. A. Magera |
| |
| Vol 50 (2021) |
Amidaist Practices in Zoku Honchō Ōjōden |
Abstract
PDF (Rus)
|
|
A. A. Petrova |
| |
| Vol 42 (2013) |
The “Way of Songs” and the “Way of Buddha”: a Monastic View of Japanese Poetry in the “Anthology of Sand and Stones” |
Abstract
PDF (Rus)
|
|
N. Trubnikova |
| |
| Vol 44 (2015) |
The birth of the New Woman in Japan and the point of view of Oka-moto Kanoko |
Abstract
PDF (Rus)
|
|
A. Suleimenova |
| |
| Vol 47 (2018) |
Graphic illustrations in the Japanese political novels of the 1880s: creative work of Tsukioka Yoshitoshi |
Abstract
PDF (Rus)
PDF (Rus)
PDF (Rus)
|
|
Y. D. Mikhailova |
| |
| Vol 42 (2013) |
Beauty of Japanese Nature in the Interpretation of the Shiga Sigètaka |
Abstract
PDF (Rus)
|
|
A. Mescheryakov |
| |
| Vol 44 (2015) |
Якудза-эйга: история жанра |
Abstract
PDF (Rus)
|
|
|
| |
| Vol 47 (2018) |
He always wants to shock everyone with something new. On the work of Japanese film director Miike Takashi |
Abstract
PDF (Rus)
|
|
E. L. Katasonova |
| |
| Vol 42 (2013) |
Vasily Vereshchagin’s Sketches on Japan. Last year |
Abstract
PDF (Rus)
|
|
S. Mikhailova |
| |
| Vol 45 (2016) |
Sculptural Images of Yakushi Nyorai |
Abstract
PDF (Rus)
|
|
Y. Kuzhel |
| |
| Vol 42 (2013) |
On One Japanese Collection (the First Harp in Japan and the Soviet Union of 1930s) |
Abstract
PDF (Rus)
|
|
L. Ermakova, K. Tanaka, S. Hiyama |
| |
| Vol 45 (2016) |
Sister’s Sacred Spiritual Power Seji as a Part ofTraditional Ryukyuan Culture |
Abstract
PDF (Rus)
|
|
E. Baksheev |
| |
| Vol 48 (2019) |
Evil forces in Konjaku monogatari-shu: Stories about demons, foxes, and other devilry |
Abstract
PDF (Rus)
|
|
N. N. Trubnikova |
| |
| Vol 42 (2013) |
Ritual as the Basis of Communication in Japan |
Abstract
PDF (Rus)
|
|
Y. Stonogina |
| |
| Vol 45 (2016) |
The Legends of Traditional Japanese Poetry: Rokujo Poetry School in the 12th Century |
Abstract
PDF (Rus)
|
|
M. Toropygina |
| |
| Vol 48 (2019) |
Connections between Japan and European Catholic world (late 16th - early 17th centuries) |
Abstract
PDF (Rus)
PDF (Rus)
|
|
Y. L. Kuzhel |
| |
| Vol 42 (2013) |
The Father of Japanese Documentaries Kamei Fumio and his Soviet Teachers |
Abstract
PDF (Rus)
|
|
A. Fedorova |
| |
| Vol 45 (2016) |
Folk Craft Theory by Yanagi Muneyoshi |
Abstract
PDF (Rus)
|
|
M. Gerasimova |
| |
| Vol 48 (2019) |
Perception of Kabuki theater characters and a play by Tsuruya Namboku the Fourth |
Abstract
PDF (Rus)
PDF (Rus)
|
|
A. A. Levina |
| |
| Vol 42 (2013) |
About authors |
Details
PDF (Rus)
|
|
Editorial Article |
| |
| Vol 45 (2016) |
A Samurai with the Russian Soul |
Abstract
PDF (Rus)
|
|
E. Katasonova |
| |
| Vol 48 (2019) |
“Ainu Divine Songs Collection” (Ainu Shin’yoshu) by Chiri Yukie |
Abstract
PDF (Rus)
|
|
E. G. Tyurleneva |
| |
| Vol 42 (2013) |
Summaries |
Details
PDF (Rus)
|
|
Editorial Article |
| |
| Vol 46 (2017) |
The Iconography of Miroku |
Abstract
PDF (Rus)
|
|
Y. Kuzhel |
| |
| Vol 48 (2019) |
Hiratsuka Raicho's (1886-1971) manifesto “In the Beginning, Woman Was the Sun” |
Abstract
PDF (Rus)
|
|
E. I. Garaeva |
| |
| Vol 43 (2014) |
Hidden Meanings of Music Iconography of the Kyoto Temple Sanjusan Gendo |
Abstract
PDF (Rus)
|
|
M. Esipova |
| |
| Vol 46 (2017) |
Japanese Heraldry of Muromachi and Azuchi-Momoyama Periods |
Abstract
PDF (Rus)
|
|
A. Rechkalova |
| |
| Vol 48 (2019) |
Dazai Osamu’s “New Hamlet”: A “confessional” adaptation of the classical story |
Abstract
PDF (Rus)
|
|
E. S. Shorokhova |
| |
| Vol 43 (2014) |
The Features of Iconography of Plastic Works of the Shrine Nikko Toshogu |
Abstract
PDF (Rus)
|
|
G. Spiridonov |
| |
| Vol 46 (2017) |
The Reception of Japanese Zen Tradition in Europe and America |
Abstract
PDF (Rus)
|
|
M. Babkova |
| |
| Vol 49 (2020) |
On the History of Japanese Philological Studies: Shimizu Hamaomi’s Introduction to Kara monogatari (1809) |
Abstract
PDF (Rus)
|
|
T. I. Vinogradova, M. V. Toropygina |
| |
| Vol 43 (2014) |
The Category of Space and Time in Japanese Translations (On theee Material of the Early Poetry of O.Mandelshtam) |
Abstract
PDF (Rus)
|
|
E. Dudina |
| |
| Vol 46 (2017) |
“I dreamed that everyone is a poet there...” Images of Japan in Russian the Poetry of the Silver Age |
Abstract
PDF (Rus)
|
|
E. Diakonova |
| |
| Vol 49 (2020) |
Mushanokoji Saneatsu in the Eyes of Contemporaries |
Abstract
PDF (Rus)
|
|
O. A. Zaberezhnaya |
| |
| Vol 43 (2014) |
The Philosophy of Being |
Abstract
PDF (Rus)
|
|
E. Katasonova |
| |
| Vol 47 (2018) |
Deities and rituals of Ryukyuan royal court (according to Ryu:Kyu: Shinto:Ki and Omoro sacred songs) |
Abstract
PDF (Rus)
|
|
E. S. Baksheev |
| |
| Vol 49 (2020) |
Chaliapin and Russian Musical Culture in Japan (20-30s of 20th century) |
Abstract
PDF (Rus)
|
|
K. O. Sarkisov |
| |
| Vol 44 (2015) |
On Ryukyuan Cosmogonic Myths |
Abstract
PDF (Rus)
|
|
E. Baksheev |
| |
| Vol 47 (2018) |
Sculpture portraits of Japanese religious figures |
Abstract
PDF (Rus)
PDF (Rus)
|
|
Y. L. Kuzhel |
| |
| Vol 49 (2020) |
The Metaphysical and Ontological Basis of Martin Heidegger’s and Eihei Dogen’s Teachings: Marking the Problem Field of Comparative Philosophical Study |
Abstract
PDF (Rus)
|
|
A. S. Romanenko |
| |
| Vol 44 (2015) |
Buddhist Dry-lacquer Statues and Clay Sculptures |
Abstract
PDF (Rus)
|
|
Y. Kuzhel |
| |
| Vol 47 (2018) |
The diversity of the image of monkey in Shinto art |
Abstract
PDF (Rus)
PDF (Rus)
|
|
G. B. Spiridonov |
| |
| Vol 49 (2020) |
Koreeda Hirokazu: Pain and Fears of Modern Man |
Abstract
PDF (Rus)
|
|
E. L. Katasonova |
| |
| Vol 44 (2015) |
The Japan of Claude Farrere: the Image of the Country and its Politics through the Eyes of a French Intellectual |
Abstract
PDF (Rus)
|
|
V. Molodyakov |
| |
| Vol 47 (2018) |
Japanese poetry: from “The Eight views of Xiaoxiang” to “The Eight views of Omi” (poetic cycles by Reizei Tamesuke, Konoe Nobutada and Ota Nampo) |
Abstract
PDF (Rus)
PDF (Rus)
PDF (Rus)
|
|
M. V. Toropygina |
| |
| Vol 42 (2013) |
The Poetic Career of Kamo-no-Chomei |
Abstract
PDF (Rus)
|
|
M. Toropygina |
| |
| Vol 44 (2015) |
The Ethical Thought of the Japanese White Birch Society (Shirakaba-ha) - the Problem of Egoism |
Abstract
PDF (Rus)
|
|
O. Zaberezhnaya |
| |
| Vol 47 (2018) |
Inherent value of emotion in the Japanese cultural space |
Abstract
PDF (Rus)
PDF (Rus)
|
|
M. P. Gerasimova |
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